About Night At The Museum: Secret Of The Tomb

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Name : Stephanie Zacharek / Alias : Village Voice
The third installment, Night at the Museum: Secret of the Tomb may be the best, and even the generally wound-too-tight Ben Stiller - once again playing a bemused Museum of Natural History guard - is easy to tolerate.

Name : Sara Stewart / Alias : New York Post
More meh than manic, too reliant on wide shots of the ragtag Museum of Natural History cohorts striding down corridors.

Name : Soren Anderson / Alias : Seattle Times
What is unexpected is the depth of emotion of many of the situations .

Name : Walter V. Addiego / Alias : San Francisco Chronicle
Mainly for "Night at the Museum" diehards.

Name : Claudia Puig / Alias : USA Today
Where the previous films felt frenetic and forced, this outing feels breezier, more enjoyable and less contrived.

Name : Michael Phillips / Alias : Chicago Tribune
It's a hectic pileup, this movie, but at least in its final laps it takes the time to say its goodbyes more or less properly.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The exhibits in this "Night at the Museum" may still come to life nightly. But their latest movie stays stubbornly inert.

Name : Peter Howell / Alias : Toronto Star
Let the dust finally settle on these museum pieces.

Name : Steven Rea / Alias : Philadelphia Inquirer
Like many a sequel that has exhausted its plot possibilities, Secret of the Tomb looks abroad to add color and culture.

Name : Tom Long / Alias : Detroit News
There are some key elements that make this "Night at the Museum" sequel work better than its predecessor.

Name : Tony Hicks / Alias : San Jose Mercury News
Levy - who directed all three movies - just couldn't muster up enough freshness to make this installment stand out from others.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Frankly, there isn't a whole lot about this scenario that isn't disturbing on some level.

Name : Tom Russo / Alias : Boston Globe
Assuming Wilson isn't being eyed as Stiller's replacement (or are we starting rumors?), it's satisfying to see this series ultimately shake off the relic dust and bow out with energy.

Name : Nicolas Rapold / Alias : New York Times
A diverting and, here and there, rather funny journey for the museum stalwart Larry and his menagerie of Teddy Roosevelt, a miniature Roman general, a Neanderthal, a capuchin monkey and others.

Name : John Semley / Alias : Globe and Mail
Funny, charming kiddie-flick fare.

Name : Joe McGovern / Alias : Entertainment Weekly
It's kind of fun, unembarrassingly, and not least of all because the people who made it look like they had a good time doing so.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Granted, this series is primarily for kids, but nobody should feel dumber after watching a movie with "museum" in the title.

Name : Kristin Tillotson / Alias : Minneapolis Star Tribune
Ben Stiller and crew go for the easy laughs, spackling the cracks in their armor with a cavalcade of marquee-name cameos and one dizzying action scene after another.

Name : Michael Rechtshaffen / Alias : Hollywood Reporter
Time to hang up the "Closed for Renovation" sign.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
It's all dumb, but fun.

Name : Tom Huddleston / Alias : Time Out
The most worthy figure from British history the writers can think to reincarnate is - wait for it - Sir Lancelot.

Name : Rafer Guzman / Alias : Newsday
Williams glows briefly in one of his final roles, but the overall magic feels dim.

Name : Joe Neumaier / Alias : New York Daily News
There's a serenity to museum visits, especially if it's a place you know and love. "Night at the Museum: Secret of the Tomb," amazingly, recaptures that feeling in big-studio franchise form.

Name : Michael O'Sullivan / Alias : Washington Post
Other than some stock establishing shots of London, the British setting is wasted, as are Ben Kingsley and Ricky Gervais, who, at times, seem almost embarrassed to be caught on camera.

Name : Lindsey Bahr / Alias : Associated Press
In the end, "Secret of the Tomb" certainly wasn't necessary, but its earnest goofiness is hard to resist.

Name : Bill Goodykoontz / Alias : Arizona Republic
"Night at the Museum: Secret of the Tomb" is a rather lackluster affair, a cash grab that tries to aim a little higher but confuses sappy shortcuts with real emotion.

Name : Scott Foundas / Alias : Variety
An altogether satisfying end to a series that has been vastly more entertaining than it had any reason to be.

Name : J. R. Jones / Alias : Chicago Reader
Ben Stiller, Steve Coogan, Owen Wilson, Ricky Gervais - all of them were considered edgy when they first arrived on the scene, but for some performers an edge is just something you use to pry open the piggy bank.

Name : Alonso Duralde / Alias : TheWrap
Because when young children go to see a movie about dinosaur skeletons and a capuchin monkey who come alive at night in a museum, what they really want is to hear a divorced dad nagging his teen son about the value of an education.

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About The Shawshank Redemption

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Name : Derek Adams / Alias : Time Out
.a throwback to the kind of serious, literate drama Hollywood used to make.

Name : Jonathan Rosenbaum / Alias : Chicago Reader
A passing reference to 'The Count of Monte Cristo' offers a partial clue to what makes this movie compelling.

Name : Richard Schickel / Alias : TIME Magazine
Freeman, who is simply a great actor, a man who has never struck a false note in his career, both narrates this tale and anchors it with his authoritative playing.

Name : Gene Siskel / Alias : Chicago Tribune
Simply marvelous entertainment.

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A testament to the human spirit.

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About While We're Young

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Name : Ty Burr / Alias : Boston Globe
Baumbach may be the sharpest social satirist of his generation - in some ways, he's a Woody Allen with clearer vision and fewer nervous tics - but the message of this droll, enjoyable bourgeois vaudeville can be boiled down to Father Knows Best.

Name : Kenneth Turan / Alias : Los Angeles Times
This delicious satire about aging hipsters and their discontents is everything we've come to expect from the best of Noah Baumbach, as well as several things more.

Name : Mark Jenkins / Alias : NPR
Noah Baumbach's best movie since 2005's The Squid and the Whale, While We're Young navigates into more mainstream territory while losing none of the writer-director's rueful wit.

Name : A.A. Dowd / Alias : AV Club
Baumbach is never less than shrewd in the way he links his protagonists through insecurity.

Name : Peter Rainer / Alias : Christian Science Monitor
The film has [Baumbach's] usual strengths: sharp urban insights, brainy comedy, moments of inspired high exasperation. It also shares a few of his faults.

Name : Bill Goodykoontz / Alias : Arizona Republic
A sharp look at getting older, growing up and assuming responsibility.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
A sometimes poignant paean to struggling to age gracefully while time drags you kicking and screaming to the inevitable end, While We're Young effectively balances wry comedy and bittersweet drama.

Name : A.O. Scott / Alias : New York Times
I have some problems with this movie, not all of which can be ascribed to the usual narcissism of small differences. But first it's important to acknowledge the acuity of Mr. Baumbach's insight and his overall generosity of spirit.

Name : Peter Debruge / Alias : Variety
Baumbach's own acutely observed this-is-life laffer features his most relatable characters yet.

Name : Moira MacDonald / Alias : Seattle Times
For a while much of this contemporary comedy is great fun - until the party ends and you're ready for these people to go home.

Name : David Edelstein / Alias : New York Magazine/Vulture
Only the motives of Baumbach's alter ego are pure. Meanwhile, the most entertaining questions - Can people transcend wide age gaps? Should they want to? - turn out to be beside the point.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"While We're Young" is one step forward and two steps back for writer-director Noah Baumbach, whose movies are never less than intelligent but, at their worst, tend to settle for gestures instead of movements.

Name : Lou Lumenick / Alias : New York Post
The most hilarious Woody Allen film in years is directed by Noah Baumbach, with Ben Stiller as basically an updated version of the idealistic documentary filmmaker the Woodman played in 'Crimes and Misdemeanors.'

Name : Joe Neumaier / Alias : New York Daily News
When Baumbach is on, he's really on, and the brilliant "While We're Young" contains the same self-lacerating humor as his "Greenberg," "Margot at the Wedding" and "The Squid and the Whale."

Name : Ann Hornaday / Alias : Washington Post
Even at its most confected, this is a film that tells the truth.

Name : Joe Morgenstern / Alias : Wall Street Journal
Putting one's finger on exactly what's wrong with "While We're Young" is a challenge. Best to use several fingers.

Name : Michael Phillips / Alias : Chicago Tribune
Baumbach belongs in a select group of invaluable American directors. He makes movies built, increasingly, like traditionally structured studio comedies of an earlier age.

Name : Stephen Whitty / Alias : Newark Star-Ledger
"While We're Young" is snarky, smart and surprising, right up until the final shot.

Name : Joshua Rothkopf / Alias : Time Out
Baumbach's confidently charming latest, plays more like a Woody Allen-ish parody than any of his other movies, but the shift hasn't required a sacrifice in insight, heart or bite.

Name : Stephanie Zacharek / Alias : Village Voice
Baumbach's eighth feature isn't just sharp, it's serrated - its jokes, and there are lots of them, come at you with rows and rows of tiny teeth.

Name : Christy Lemire / Alias : RogerEbert.com
The observant and mocking humor that makes the film's first two-thirds so breezy and enjoyable gives way to shattering realizations, but Baumbach ultimately tempers that instinct somewhat by exhibiting genuine sympathy for Stiller's character.

Name : Chris Nashawaty / Alias : Entertainment Weekly
It's not Stiller's character who's the curmudgeon, it's Baumbach.

Name : Rene Rodriguez / Alias : Miami Herald
While We're Young starts off as an empathetic, funny look at middle age and winds up as profound and schematic as a Neil Simon play - or, for the younger set, an episode of The New Girl.

Name : Liam Lacey / Alias : Globe and Mail
If you've been wishing you could see a good Woody Allen comedy again, you should check out Noah Baumbach's While We're Young, which sees the 45-year-old director moving in on Allen's territory - the Manhattan comedy of manners.

Name : Adam Graham / Alias : Detroit News
Baumbach plays with universal themes about the uncertainty of aging, the elusive nature of "cool" and the acceptance that comes with settling down .

Name : Rex Reed / Alias : New York Observer
Another inconsequential Noah Baumbach parody of so-called "normal" people trying to function in a fractional society changing too rapidly to keep up with, While We're Young is a dreary bummer.

Name : Peter Howell / Alias : Toronto Star
While We're Young pairs two New York couples, one middle-aged and anxious and the other millennial and carefree. Both are in for a satirical skewering, but also - and here's a change for Baumbach - something close to a hug.

Name : Andrew O'Hehir / Alias : Salon.com
A knotty exploration of the dialectic between sincerity and authenticity, or the shifting relationship between truth and fiction in an age where we're no longer sure what those words mean .

Name : Claudia Puig / Alias : USA Today
A sharply observed and witty dark comedy.

Name : Alonso Duralde / Alias : TheWrap
The verbal wit and comic set-ups are smart and sprung from the zeitgeist.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
Only an artist at the midpoint between the maypole and maturity could concoct a comedy as potent as "While We're Young."

Name : Richard Roeper / Alias : Chicago Sun-Times
For about an hour, "While We're Young" was one of the most exhilarating times I've had at the movies in many a month. It played like razor-sharp Woody Allen in his prime.

Name : Lisa Kennedy / Alias : Denver Post
The wonderful thing about While We're Young and the relationship that develops between Josh and Cornelia and Jamie and Darby is that it's less about resentment than it is a celebration of romantic love. At least initially.

Name : Steven Rea / Alias : Philadelphia Inquirer
Baumbach, whose films include the searingly funny, autobiographical The Squid and the Whale and the brilliantly uncomfortable Margot at the Wedding, writes wry, sharp, poignant stuff.

Name : Ben Sachs / Alias : Chicago Reader
The storytelling is smooth and assured and the one-liners are generally enjoyable.

Name : James Berardinelli / Alias : ReelViews
While We're Young may provide the fusion of two disparate narrative packages but the glass is only half-full.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's a satire of endless youth, "The Kids Are All Right" colliding with "My Generation." Yet it's the best kind of grown-up absurdism.

Name : Anthony Lane / Alias : New Yorker
It shows a director not so much mooning over the past, with regret for faded powers, as probing his own obsessions and the limits of his style.

Name : Peter Travers / Alias : Rolling Stone
Stiller's scenes with the gifted Adam Driver escalate into generational comic warfare of a high order. Baumbach touches a raw nerve.

Name : Todd McCarthy / Alias : Hollywood Reporter
We know from his previous work that Baumbach is capable of writing much more interesting and full-conceived female characters than these, so the gender imbalance here is disappointing.

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