About The Connection

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Comment For The Connection Ver Pelicula

Name : Bill Goodykoontz / Alias : Arizona Republic
It may prove too slow for some and the meandering can be a little maddening, but overall it's worth the effort.

Name : Tom Long / Alias : Detroit News
Gangster movies should not be mildly interesting.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Jimenez's sprawling cat-and-mouse thriller loses momentum and focus in the homestretch, but until then its '70s sun-and-sin-on-the-Cote d'Azur vibe is electric.

Name : Stephanie Merry / Alias : Washington Post
"The Connection" isn't all that different from a lot of police procedurals that have come before, but there's something about this particular gritty true-crime story that still fascinates all these years later.

Name : Tom Huddleston / Alias : Time Out
Sports the most schnozz-tacular array of craggy-faced macho men this side of Easter Island.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
There are no elaborate car chases or dizzyingly choreographed shootouts. Yet it's nonetheless a compelling portrait of two men in a specific time and place.

Name : Alan Scherstuhl / Alias : Village Voice
The film is engaging, propulsive, cut with rare brio, chockablock with consummate tough-guy business.

Name : Mike D'Angelo / Alias : AV Club
Jimenez, making his second feature, fails to provide the regular jolts of electricity this material needs.

Name : Soren Anderson / Alias : Seattle Times
It starts with gunshots - a Mercedes and its driver are riddled by motorcycle-riding assassins in broad daylight - and the pace of "The Connection" is bang-bang brisk most of the rest of the way.

Name : Peter Rainer / Alias : Christian Science Monitor
A common problem in crime-centric movies: The bad guys are almost always more fascinating than the good guys. Dujardin's bull-necked, hard-charging performance makes Pierre a worthy adversary.

Name : Jeannette Catsoulis / Alias : New York Times
How can you dislike a film that signals a killing with "Bang Bang" and a villain with "The Snake"?

Name : Peter Debruge / Alias : Variety
Jimenez adopts a vintage-kitsch sensibility, taking a disappointingly generic approach to his hard-to-follow narrative.

Name : Ty Burr / Alias : Boston Globe
It's a stylish affair, very solidly made if not exactly breaking new ground in our understanding of events or in the way the movies depict them.

Name : Robert Abele / Alias : Los Angeles Times
Despite the pedestrian screenplay (by Jimenez and Audrey Diwan), Dujardin and Lellouche are magnetic performers who slip easily into their antagonistic roles.

Name : Colin Covert / Alias : Minneapolis Star Tribune
While the story lacks focus here and there, the film never feels overplayed. It's a work of bloody style and solid substance.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Riveting from its first moments, "The Connection" is fascinating in its presentation of character, as well as for its glimpse into the workings of an international drug empire and into the ways an imaginative cop found to chip at its power.

Name : John DeFore / Alias : Hollywood Reporter
A procedural epic whose complicated narrative is propelled by visceral action sequences and an unusually thrilling soundtrack.

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About The Conjuring 2: The Enfield Poltergeist

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Name : Ian Buckwalter / Alias : The Atlantic
.there were moments where it seemed the entire theater was holding its breath. We were united in one feeling: terror.

Name : Peter Howell / Alias : Toronto Star
This is a horror film where a pair of suddenly clapping hands gives you the heebie-jeebies, and Wan doesn't cheat with his jump scares.

Name : Michael O'Sullivan / Alias : Washington Post
In The Conjuring, the scary casts out the spirit of the silly, permanently, and with a vengeance.

Name : Stephen Whitty / Alias : Newark Star-Ledger
[Wan's] entire film is possessed - by other films.

Name : Alan Scherstuhl / Alias : Village Voice
Damned if director James Wan, the auteur of Saw's rusted-edge cruelty, isn't an ace with enjoyable spookhouse trap-springing.

Name : Lou Lumenick / Alias : New York Post
"The Conjuring'' depends more on its excellent cast and atmospheric direction than cheap gimmicks to raise hairs on the back of your neck. Which it does, quite frequently.

Name : Rafer Guzman / Alias : Newsday
Another year, another mix of "The Amityville Horror" and "The Exorcist." Solid acting and an emotional back story set this one slightly apart.

Name : Amy Nicholson / Alias : MTV
Wan can't resist throwing in everything from a demonic nun to an evil kinetoscope to a shape-shifting dog. But when building suspense, more means less.

Name : James Berardinelli / Alias : ReelViews
If I was to use a single word to describe The Conjuring, it would be "intense."

Name : Lou Lumenick / Alias : New York Post
A mostly satisfying follow-up that brings back the excellent Patrick Wilson and Vera Farmiga as Ed and Lorraine Warren, the real-life paranormal experts most famous for investigating "The Amityville Horror'' house.

Name : Michael Phillips / Alias : Chicago Tribune
An "Amityville Horror" for a new century (and a far better movie than that 1979 hit), yet firmly rooted, without being slavish or self-conscious, in the visual language of 1970s filmmaking.

Name : Bill Goodykoontz / Alias : Arizona Republic
James Wan proves himself to be moving quickly up the ranks of terror auteurs. The timing, pacing and character movement are outstanding. And it's scary as hell.

Name : Alonso Duralde / Alias : TheWrap
The Conjuring doesn't try to reinvent the tropes of horror movies, whether it's ghosts or demons or exorcisms, but Fred Astaire didn't invent tap-dancing, either.

Name : Moira MacDonald / Alias : Seattle Times
James Wan's haunted-house saga is well-crafted, convincingly acted, surprisingly restrained and scary as hell.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
The damned thing works you so well that you may even consider leaving halfway through, for fear you'll have a heart attack.

Name : Bilge Ebiri / Alias : Village Voice
The streamlined elements of the first have now given way to mind-numbing clutter.

Name : Cath Clarke / Alias : Time Out
Wan builds mounting dread with silence and suspense, lingering the camera unsettlingly long here, creaking a door there.

Name : Adam Graham / Alias : Detroit News
As "The Conjuring" progresses, the scares don't register beyond standard issue horror gotchas. They're as telegraphed as the musical cues alerting you something spooky is about to happen.

Name : Sheri Linden / Alias : Hollywood Reporter
Wan's expert deployment of genre jolts is no less in evidence this time around, but as he takes his time - perhaps even a bit too much of it - interweaving the Warrens' story with that of the Hodgsons. he crafts a deep dive into dread.

Name : Peter Travers / Alias : Rolling Stone
The sequel overstays its welcome at a punishing 133 minutes, but the power of director James Wan compels you to scream your bloody head off.

Name : Andrew O'Hehir / Alias : Salon.com
Horror buffs will find [it] a highly satisfying, well-crafted film in a classical mode, with plenty of scares and very little gore.

Name : Jake Coyle / Alias : Associated Press
The horror sequel is a tough thing to pull off in general, and The Conjuring 2 is most certainly one of the better efforts. But, for better or worse, the first movie was just too good and The Conjuring 2 can't hold a candle to its predecessor.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's a ramshackle ghost story that Stephen King would throw at his trash can.

Name : Peter Keough / Alias : Boston Globe
There are only so many times a slamming door will get an audience to jump.

Name : Michael O'Sullivan / Alias : Washington Post
"The Conjuring 2" satisfies more than it disappoints.

Name : Ben Sachs / Alias : Chicago Reader
It's generic and lazy as storytelling, but this time there's almost enough playful camerawork to distract from the feeble conception.

Name : Mark Daniell / Alias : Toronto Sun
You always get the sense that the Hodgsons are being targeted by something that is truly out of their control, and that's the biggest scare of all.

Name : Rene Rodriguez / Alias : Miami Herald
An uncommonly intense and frightening experience.

Name : Katie Rife / Alias : AV Club
When The Conjuring 2 focuses its efforts on scaring the audience, it succeeds, wildly. And why wouldn't it?

Name : Rafer Guzman / Alias : Newsday
What saves the movie is a surprisingly fine cast and deft direction from James Wan, the horror veteran who gave us "Saw."

Name : Manohla Dargis / Alias : New York Times
The dread gathers and surges while the blood scarcely trickles in "The Conjuring," a fantastically effective haunted-house movie.

Name : Phil Brown / Alias : Globe and Mail
The Conjuring uses every stock scare in the horror movie playbook for a dumb, yet charmingly traditional haunted house picture that manages to feel more retro than rehashed.

Name : Alonso Duralde / Alias : TheWrap
Frightening rarely strikes twice in the same place, despite the efforts of so many horror sequels, but even if The Conjuring 2 doesn't deliver the delightful jolts of its predecessor, it maintains a consistent chill throughout.

Name : Joshua Rothkopf / Alias : Time Out
It takes a retro-fashioned winner like The Conjuring to remind us that if the creaky, old house ain't broke, don't fix it.

Name : Bill Goodykoontz / Alias : Arizona Republic
With big success comes big expectations, and "The Conjuring 2" is loaded with them. It doesn't live up to them, quite, but it's still scary and worth seeing.

Name : Justin Chang / Alias : Variety
A sensationally entertaining old-school freakout and one of the smartest, most viscerally effective thrillers in recent memory.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
With its forked tongue planted loosely in cheek, this haunted-house flick is enjoyably retro in both style and substance.

Name : Richard Roeper / Alias : Chicago Sun-Times
It's just a shame the end of the movie wasn't lurking around the corner far sooner than when it finally turned up, by which time a considerable amount of my emotional investment in the film had been exhausted.

Name : Brad Wheeler / Alias : Globe and Mail
A supernatural winner bound to make some noise at the box office and worthy of loud applause.

Name : Michael Phillips / Alias : Chicago Tribune
Despite all the children in all that peril, Wan is a humane sort of sadist. His latest offers little that's new, but the movie's finesse is something even non-horror fans can appreciate.

Name : Michael Sragow / Alias : Orange County Register
[Wan] cuts The Conjuring into two halves - an exhilarating haunted-house thriller and a grueling post-Exorcist horror film - but they don't come back together in a living, breathing whole.

Name : Joe Morgenstern / Alias : Wall Street Journal
This saga of demonic possession deploys the full audio firepower of modern multiplexes, and does so with brain-battering frequency, like a ghostbusting version of a Japanese Taiko drum ensemble.

Name : Soren Anderson / Alias : Seattle Times
Hey! It's Great Moments in Haunted House Movies, collected in a double album set called "The Conjuring 2."

Name : James Berardinelli / Alias : ReelViews
The Conjuring 2 proves that, with a sufficient investment of time and energy, sequels don't have to be unsatisfying cash-grabs.

Name : Peter Travers / Alias : Rolling Stone
It scared the living crap out of me. Only at the movies is that a compliment. So kudos to The Conjuring for putting fresh fire into the overworked haunted-house genre.

Name : Brian Truitt / Alias : USA Today
A freakier follow-up featuring creepy kids, villains who'll keep you up at night and camerawork that puts moviegoers in a state of impending dread.

Name : Colin Covert / Alias : Minneapolis Star Tribune
Without recourse to the gruesome S&M excesses of his "Saw" franchise, Wan conjures the chill of a demon breathing down your neck.

Name : Charlie McCollum / Alias : San Jose Mercury News
Working with cinematographer John R. Leonetti and editor Kirk Morri, Wan carefully crafts each setpiece so that each visual punch has maximum impact to a nerve-shredding musical soundtrack from composer Joseph Bihara.

Name : Bruce Diones / Alias : New Yorker
Wan . builds the many bumps in the night into a small Hitchcockian symphony of terror by way of long, eerie tracking shots, dramatic silences, and sudden scares that are frighteningly immersive.

Name : Kate Erbland / Alias : MSN Movies
. it surpasses the hallmarks of its genre with an actually dramatic storyline and all-around solid acting. Just don't think you can go see it alone.

Name : Ty Burr / Alias : Boston Globe
A trim, effective haunted-house spook show, "The Conjuring" is both a throwback to early-'70s real estate shriekers like "The Amityville Horror" and a big-studio response to the "Paranormal Activity" found-footage genre.

Name : Sheri Linden / Alias : Hollywood Reporter
Taut and effective edge-of-the-seat horror, delivered with style and an especially haunting performance by Vera Farmiga.

Name : William Goss / Alias : Film.com
All the contorting girls and pea-soup vomit in the world can hardly compete with a blood-stained sheet and a well-placed doll.

Name : Justin Chang / Alias : Los Angeles Times
Another virtuosic exercise in mobile camerawork and moldering production design, tethered to a story that handles its characters and their working-class milieu with an unexpectedly grounded, sensitive touch.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Much longer, more elaborate, more dramatic, and more packed with chilling moments and hair-raising visuals than one could anticipate, even from Wan.

Name : Edward Douglas / Alias : New York Daily News
The ghost busters of The Conjuring 2 are scary good.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
The horror movie is artfully crafted from the first scares to the closing credits, with a bold retro vibe.

Name : Jake Coyle / Alias : Associated Press
The Conjuring is an unusually sturdy piece of haunted-house genre filmmaking.

Name : Anthony Lane / Alias : New Yorker
[Wan's] framing of the scares is artfully managed, and it is the accomplished Wolfe, rather than any monster, who takes true possession of the tale.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
This isn't just a good horror film. It's a good film, which just happens to fall in the horror genre.

Name : Claudia Puig / Alias : USA Today
One of the scarier haunted house/demon possession movies in recent years, it brings to mind '70s supernatural horror films such as The Exorcist with its stillness, steady build of suspense and handsome cinematography.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Wan masterfully tightens the vise on the audience's nerves, using mood and sound effects for shocks that never feel cheap (the harmless kids' game of hide-and-clap has never been so bloodcurdling).

Name : Richard Roeper / Alias : Richard Roeper.com
Treads familiar territory, but with style.

Name : Chris Nashawaty / Alias : Entertainment Weekly
There are some solid scares (Wan is too gifted in the dark art of gotcha manipulation to not make you leap a few times), but there's nothing on par with the first film's brilliant hide-and-clap scene with Lili Taylor.

Name : Wesley Morris / Alias : Grantland
Every hand that reaches into a wardrobe, every nervous trip into that basement just gets on your nerves. Satan needs to get over himself.

Name : Owen Gleiberman / Alias : Variety
Wan has a gift that most slam-bang horror directors today do not: a sense of the audience - of their rhythm and pulse, of how to manipulate a moment so that he's practically controlling your breathing.

Name : Tom Huddleston / Alias : Time Out
After 'Insidious' and 'The Conjuring', James Wan has his method down.

Name : A.A. Dowd / Alias : AV Club
As an exercise in classical scare tactics, delivered through an escalating series of primo setpieces, The Conjuring is often supremely effective.

Name : Joe Neumaier / Alias : New York Daily News
"The Conjuring" wants Dan and Lorraine to seem like Indiana Jones-style hunters of the supernatural, but in this basic jolt-provider, they're as fascinating as the Jersey Devil.

Name : Stephen Whitty / Alias : Newark Star-Ledger
"The Conjuring 2," it seems, is itself possessed - by the ghosts of other, better movies.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Unexpectedly fresh, alive, and vibrant - and wonderfully traumatizing.

Name : Neil Genzlinger / Alias : New York Times
"The Conjuring 2" does everything you want a sequel to do. It's as well made as the original, but the location and the story are different enough that it's not just the same thing all over again.

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