About Criminal

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Screen Of Criminal

Comment For Criminal En Entier

Name : Stephen Whitty / Alias : New York Daily News
It's like the movie was written in crayon, in the margins of a comic book.

Name : Matthew Lickona / Alias : San Diego Reader
All the ingredients are there for a pleasant pander to grumpy old white men: the craggy actors, the foreign bad guys wielding confusing technology, the kindness of beautiful young women, and the nobility of sacrifice.

Name : Mark Jenkins / Alias : NPR
With its European locations, electro-thump score, and near-ceaseless violence, the movie plays like something tooled in French producer-scripter Luc Besson's factory for international action mashups.

Name : Kate Taylor / Alias : Globe and Mail
Neither scriptwriters Douglas Cook and David Weisberg nor Vromen in the director's chair are subtle enough to figure out how to do both action and character.

Name : Mick LaSalle / Alias : San Francisco Chronicle
"Criminal" depicts a compelling situation, made rich and entertaining through its extreme characters.

Name : Andrew Barker / Alias : Variety
Struggling to generate much tension, the film opts for sensory battery in the action scenes, rendering gunshots as loud as cannon fire and splashing blood every which way.

Name : Joe McGovern / Alias : Entertainment Weekly
Criminal's story moves like a fat cow.

Name : Bruce Kirkland / Alias : Toronto Sun
Criminal is a screwed-up mess as a story and as an action movie with a so-called moral lesson in it. In fact, the more I think about it, the less I like it.

Name : Peter Howell / Alias : Toronto Star
So much wasted talent. Downright Criminal, it is.

Name : Tom Huddleston / Alias : Time Out
The fact that it's all played completely straight only makes it funnier.

Name : James Berardinelli / Alias : ReelViews
Criminal is an action-thriller with a science fiction twist. To the extent that its purpose is to energize and involve an audience, it succeeds.

Name : Todd McCarthy / Alias : Hollywood Reporter
Even if you've allowed yourself to hope that the redoubtable actors might tilt the proceedings in a positive direction, almost every choice made by director Ariel Vromen. sends Criminal spiraling toward overwrought silliness.

Name : Soren Anderson / Alias : Seattle Times
"Criminal" is as by-the-numbers as thrillers come. But a payday is a payday, I guess. Bank those bucks, people, and go on to something better.

Name : Steven Rea / Alias : Philadelphia Inquirer
Egregiously silly, generic .

Name : Sara Stewart / Alias : New York Post
Guns, gore and good actors shoehorned into one-note parts.

Name : Peter Keough / Alias : Boston Globe
Kevin, why don't they just let you be bad as you want to be?

Name : Michael O'Sullivan / Alias : Washington Post
Like its brain-damaged protagonist, "Criminal" just shouts and shoots its way into, not out of, an oblivion of illogic, plot holes and emotionally unengaging scenery-chewing.

Name : Randy Cordova / Alias : Arizona Republic
You may never believe one minute of "Criminal," but Costner sure does.

Name : Neil Genzlinger / Alias : New York Times
It's best not to think about this preposterous story too hard. Just ride it to its even more preposterous climax, enjoying Mr. Costner and a steady supporting cast (Gary Oldman as the C.I.A. honcho; Gal Gadot as Bill's wife) along the way.

Name : Richard Roeper / Alias : Chicago Sun-Times
Given the lurid, stupid, loony and unintentionally laughable nature of this espionage thriller, I found some measure of entertainment studying the vastly different approaches taken by Costner, Jones and Oldman.

Name : Rafer Guzman / Alias : Newsday
So-so pulp, elevated by Costner as a feral felon.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Perhaps it's almost too perfect that the movie should suffer from a personality conflict of its own; too bad that it's the uninspired direction and not the demented pulpiness that dominates in the end.

Name : Kenneth Turan / Alias : Los Angeles Times
Half science-fiction tale, half espionage thriller, it's a pleasantly far-fetched endeavor that moves along so briskly that it leaves no time to consider its implausibilities, which are many.

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About The Visit

--- Trick Get The Visit 100% FREE ---

1. Click link/button before this section (WATCH/DOWNLOAD button)

2. You will be redirected to a page, then you click the watch / download. Then will open a popup for registration, click register.

3. It will show the registration page, fill in all the data correctly. (Quiet, here Tricks will bring you 100% FREE)

4. Click register

5. Congratulations, you've got access to watch and download all the movies available on the server (including The Visit movie).

This is a legal trick to watch a movie from Netflix for FREE. Remember, this is just to give you access to FREE for 1 week. For the next week you can register again in order to enter again.

Screen Of The Visit

Comment For The Visit En Entier Online

Name : Christopher Orr / Alias : The Atlantic
It is with some surprise-and perhaps even a hint of disappointment-that I must report that The Visit is merely mediocre and not the breathtaking calamity that we've come to anticipate from its author.

Name : Brian Truitt / Alias : USA Today
The low-budget thriller deftly mixes horror-movie moments, pure strangeness and comedy like a family-friendly David Lynch effort as it takes audiences on one really oddball trip to grandma's house.

Name : Ben Sachs / Alias : Chicago Reader
[Shyamalan's] manipulation of tone is impressive - he gets you to laugh at the grandparents' strange behavior, only to shift gears into horror when you least expect it.

Name : Randy Myers / Alias : San Jose Mercury News
Frightfully fun, with Shyamalan relentless toying with us and cramming in horror genre references.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
Much like Shyamalan's flawed/interesting films "Signs" and "The Village," the filmmaker promises more than he can deliver.

Name : James Berardinelli / Alias : ReelViews
Despite a promising premise and effective "Shyamalan twist", this low-budget horror film still underwhelms.

Name : Brad Wheeler / Alias : Globe and Mail
I hear Hollywood whispers. I feel something is amiss. I see dead directorial reputations. And I smell a comeback.

Name : Peter Hall / Alias : New York Daily News
A messed-up fairy tale that often nails the sweet spot between scaring us and letting us laugh at how scared we are. It's crowd-pleasing horror, the kind that can push moviegoers to the edge of their seats and send them to the water cooler the next day.

Name : James Rocchi / Alias : TheWrap
Startling but never terrifying, "The Visit" may make a little money, but it does not mark a return to long-lost greatness for Shyamalan. It's more of the same, presented on a smaller, cheaper canvas where you can see every flaw all the more clearly.

Name : Colin Covert / Alias : Minneapolis Star Tribune
By remaining a smartly staged thriller rather than a formula shocker, it does quite well with precisely what it set out to do: play on all our fears like a Steinway grand piano.

Name : Richard Brody / Alias : New Yorker
For all its intelligence and craft, M. Night Shyamalan's foray into the genre of found-footage horror has the feeling of homework done well.

Name : Steven Rea / Alias : Philadelphia Inquirer
Isn't the whole handheld "real-video" thing kind of old by now? Isn't the Shyamalanian-twist thing kind of old by now, too?

Name : Geoff Berkshire / Alias : Variety
Even if there's less chance the audience will burst out in fits of inappropriate chuckles, as was often the case in, say, "The Happening" or "Lady in the Water," Shyamalan still can't quite pull off the delicate tonal balance he's after.

Name : Stephen Whitty / Alias : Newark Star-Ledger
While the production values are simple, the script is sneakily complex. Like the best horror merchants, Shyamalan exploits our secret fears - in this case, of old age, ill health and dementia.

Name : Richard Roeper / Alias : Chicago Sun-Times
Alas, it's a dopey, only mildly chilling, uneasy mix of horror and dark comedy, scoring few points in either category.

Name : Michael Sragow / Alias : Los Angeles Times
The honorable tradition of American moviemakers wringing laughs and gasps from bucolic lunatics dates back to "Murder, He Says" (1945). Unfortunately, "The Visit" isn't part of it.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
The Visit is lightweight and doesn't have the emotional resonance of The Sixth Sense, but it's a welcome return to form for a director who seemed doomed to a future of remembering better days.

Name : David Edelstein / Alias : New York Magazine/Vulture
An unoriginal faux-doc horror picture that actually works like a demonic charm.

Name : Michael O'Sullivan / Alias : Washington Post
An effective if flawed psychological thriller, a modest campfire story with a solid, genuinely startling twist that is likely to restore the faith of some of [Shyamalan's] critics.

Name : Alan Scherstuhl / Alias : Village Voice
The best studio horror flick in recent years, combining the but-what's-in-those-shadows? immersion of The Conjuring, James Wan's basement-wandering simulator, with the crack scripting and meta-cinematic surprises of Shyamalan's best early films.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Following a creative low period that found the director trying his hand at effects-driven fantasy and sci-fi, it can't help but come across as a comeback.

Name : Bruce Demara / Alias : Toronto Star
M. Night Shyamalan's latest film may well have been his last chance at redemption. Fortunately, he rises to the challenge and makes The Visit good, scary fun.

Name : Tom Huddleston / Alias : Time Out
The result is a bizarre, conflicted mess, horrifying when it's trying to be funny, oddly appealing when it turns the screws.

Name : Tom Russo / Alias : Boston Globe
A relentlessly tense journey into the bizarre, with jolts that linger and some nicely played melancholy. What's more, the movie is often surprisingly, wickedly funny .

Name : Steve Tilley / Alias : Toronto Sun
Fortunately, The Visit has a lot of (intentional!) laughs between the creepy bits and jump scares, and never takes itself too seriously.

Name : Manohla Dargis / Alias : New York Times
The director M. Night Shyamalan has a fine eye and a nice, natural way with actors, and he has a talent for gently rap-rap-rapping on your nerves.

Name : Moira MacDonald / Alias : Seattle Times
It's creepy, sure, but not very enjoyable, basement or no.

Name : Sara Stewart / Alias : New York Post
Dunagan and McRobbie have a blast in their respective roles, alternating between everyday grandparent oddities and behavior that wouldn't be out of place at the Overlook Hotel. And overall, the young duo makes an affable pair of narrators.

Name : Rene Rodriguez / Alias : Miami Herald
Here is a movie in which old people are scary because they're senile and icky and incontinent and do baffling things. And they're, you know, so old and wrinkly.

Name : Tom Long / Alias : Detroit News
There's undeniable fun in watching a couple of veteran actors get strange with two newcomers. "The Visit" may be worth one.

Name : Wesley Morris / Alias : Grantland
It was fun watching this with a gasping and screaming audience. For horror-goers, the comparative competence must hit the spot. But there's nothing new here - and what I sensed for 94 minutes was compromise.

Name : Randy Cordova / Alias : Arizona Republic
A scary fun-house ride that expertly blends jittery tension and laugh-out-loud humor, it will make you forgive the filmmaker for such major time-wasters as "Lady in the Water," "After Earth" and "The Happening."

Name : Clark Collis / Alias : Entertainment Weekly
Suffice to say that the result is an effective scare machine and a semi-return to form for its creator.

Name : Peter Travers / Alias : Rolling Stone
Not in the same league as The Sixth Sense, but Shyamalan ends a long dry spell with The Visit. No spoilers, except to say that cheap thrills can still be a blast.

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