About Dil Dhadakne Do

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About Big Eyes

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Name : Rafer Guzman / Alias : Newsday
A smart, funny, feel-good film - from Tim Burton? It's his best since "Ed Wood."

Name : Michael Phillips / Alias : Chicago Tribune
Instead of comic and dramatic provocation, "Big Eyes" settles for a pastel set of emotions lost in a primary color world.

Name : Ty Burr / Alias : Boston Globe
Waltz ham-and-eggs Adams off the screen. In the process, the movie strands her character without an inner life, a psychology, or anything that would indicate what makes her tick.

Name : Peter Rainer / Alias : Christian Science Monitor
Adams is very good at the difficult art of making passive characters interesting - a gift that stands her in good stead here.

Name : Todd McCarthy / Alias : Hollywood Reporter
This nimble, bemused, culturally curious look at the married instigators of the kitschy "big eyes" paintings of the early 1960s exudes an enjoyably eccentric appeal while also painting a troubling picture of male dominance and female submissiveness .

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
Throughout his career, Burton has always been capable of surprising audiences. "Big Eyes" is no exception.

Name : Inkoo Kang / Alias : TheWrap
"The most human film from Burton since "Ed Wood," this biopic of kitsch painter Margaret Keane (Amy Adams) marks a small but significant artistic growth."

Name : David Edelstein / Alias : New York Magazine/Vulture
Adams is lovely and tremulous, but Big Eyes would be even better if Waltz was in the same key.

Name : Peter Travers / Alias : Rolling Stone
For all its tonal shifts and erratic pacing, the film is Burton's heartfelt tribute to the yearning that drives even the most marginalized artist to self expression no matter what the hell anyone thinks.

Name : Bill Goodykoontz / Alias : Arizona Republic
The story is just so downright weird that the film can't help but be compelling. Just not as compelling as it could have been.

Name : Dave Calhoun / Alias : Time Out
Burton lets Waltz run wild, sucking the air out of every scene with his hysterics, and the always-endearing Adams is left looking like a rabbit in the headlights.

Name : Amy Nicholson / Alias : L.A. Weekly
You can't help but sense Tim Burton nodding in agreement when Walter bellows, "Just because people like my work, does that make it bad?"

Name : Kyle Smith / Alias : New York Post
"Big Eyes" toys with some amusing ideas, and that's enough.

Name : James Adams / Alias : Globe and Mail
Burton lets his film putter along in middle gear, provoking neither riotous laughter nor emotional immersion.

Name : Steven Rea / Alias : Philadelphia Inquirer
A wondrously strange true story about art and heartbreak, intellectual property theft, and the subjugation of women.

Name : Betsy Sharkey / Alias : Los Angeles Times
This portrait of a woman on the verge - of success, of suppression, of submission, of rebellion - is never fully realized.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Tim Burton fashions the perfect frame around these actors and then lets them fill out this marvelous creation.

Name : Wesley Morris / Alias : Grantland
Burton might need to get further from blockbuster bloat in order to regain his formal mastery of kitsch. Right now his sense of comic portraiture is too easily mistakable for splatter painting.

Name : Joe Morgenstern / Alias : Wall Street Journal
I watched wide-eyed with dismay while the film turned as lifeless as the paintings.

Name : Rex Reed / Alias : New York Observer
Nimble, off the beaten track and very entertaining, it's the cinematic equivalent of a lava lamp.

Name : A.O. Scott / Alias : New York Times
In "Big Eyes," the sincerity of the artist trumps the judgment of the critics, and her vision triumphs over fraudulent promotion. It makes a passionate case for her. Whether it vindicates her art is another question entirely.

Name : Elizabeth Weitzman / Alias : New York Daily News
"Big Eyes" is still a compelling film, well presented and solidly performed by leads Amy Adams and Christoph Waltz. But more weirdness would have done wonders.

Name : Ann Hornaday / Alias : Washington Post
"Big Eyes" is technically and aesthetically attractive.

Name : A.A. Dowd / Alias : AV Club
Big Eyes has plenty of surface pleasures, but there was reason to expect more than that from it.

Name : Claudia Puig / Alias : USA Today
Fascinating, nimbly acted and, an er, eye-opening look at the culture of male dominance of a couple generations past.

Name : Bruce Demara / Alias : Toronto Star
It dwells in that amorphously ill-defined zone, Dramedyland, a place from whence audiences too often return with a shrug and a vague sense of confusion and disappointment.

Name : Ben Sachs / Alias : Chicago Reader
Amy Adams and Christoph Waltz are charismatic in the lead roles; occasionally they distract from the movie's overall smugness.

Name : Chris Nashawaty / Alias : Entertainment Weekly
Despite its sharp feminist sting, Big Eyes never loses its light touch. Maybe the lesson here is that Burton should venture out of his dark, creepy comfort zone more often.

Name : Justin Chang / Alias : Variety
"Big Eyes" doesn't seem to trust either the factual truth or the emotional logic of the dilemma it's showing us.

Name : Stephen Whitty / Alias : Newark Star-Ledger
What matters is, does the artist speak through this work? And does this work speak to you? And "Big Eyes" does. I just wish it spoke louder.

Name : James Berardinelli / Alias : ReelViews
A straightforward and mature film with little in the way of overt weirdness.

Name : Richard Corliss / Alias : TIME Magazine
The Keane story is a rich parable that deserves either a wilder or a more acute telling than Burton provides here.

Name : Moira MacDonald / Alias : Seattle Times
Visually inventive, as are all of Burton's movies, "Big Eyes" is pleasant enough to watch; you just wish there were more to it.

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About San Andreas

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Name : Adam Graham / Alias : Detroit News
"San Andreas" never pretends to be any less subtle than the Rock's physique. It's a hulking mass of wanton destruction, and a stupid-fun carnival of carnage.

Name : Chris Nashawaty / Alias : Entertainment Weekly
As patently preposterous, scientifically dubious, and unapologetically corny as director Brad Peyton's orgy of CGI devastation is, its popcorn prophecy of the inevitable is a blast of giddy, disposable fun.

Name : Lou Lumenick / Alias : New York Post
The special effects aren't bad for a lower-budget ($100 million) blockbuster, though director Brad Peyton and his writers often deploy them in downright laughable ways.

Name : Amy Nicholson / Alias : L.A. Weekly
It's all big, distant, unfathomable wreckage - shattering skyscrapers and rippling cityscapes - with no sense of the human cost

Name : Kenneth Turan / Alias : Los Angeles Times
An action hero with a rare kind of gravitas, Johnson has a stabilizing influence on all the silliness that surrounds him.

Name : David Edelstein / Alias : New York Magazine/Vulture
There are things in San Andreas that no one would have dreamed of seeing 40 years ago, when Earthquake (with its tacky, plaster-cracking "Sensurround") represented the state of the art. But nothing means anything.

Name : A.O. Scott / Alias : New York Times
It's hard not to shrug, stifle a yawn and reach for the popcorn when the Golden Gate Bridge once again buckles and sways and drops vehicles into the bay.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Some movies are easy to mock, but hard to resist. This is one of them.

Name : Kevin C. Johnson / Alias : St. Louis Post-Dispatch
"San Andreas" is an action film that hits viewers over the head. Again and again. But isn't that exactly why you'd want to go see it?

Name : Brian Truitt / Alias : USA Today
The cringeworthy dialogue and unmoving earnestness are the biggest disasters in this mostly forgettable action flick

Name : J. R. Jones / Alias : Chicago Reader
My resistance to summer blockbusters crumbled like a collapsing skyscraper in the face of this big, loud, exuberantly destructive movie.

Name : Anthony Lane / Alias : New Yorker
The allure of San Andreas rests entirely on the calibre of its pandemonium, savored, ideally, with a brawling audience on a Friday night.

Name : James Berardinelli / Alias : ReelViews
Paul Giamatti is perfectly cast as the rumpled scientist and his scenes are by far the most interesting. It causes one to wonder if San Andreas might have worked better if the entire film had focused on his character.

Name : Justin Lowe / Alias : Hollywood Reporter
Together with cinematographer Steve Yedlin and VFX supervisor Colin Strause, director Brad Peyton achieves a persuasive blending of practical shots and superior CG techniques for the most complex sequences.

Name : Chris Klimek / Alias : NPR
Helo-flown and hella-dumb, the movie delivers what its ads promise and not a particle more: Semi-convincing digital erasure of infrastructure.

Name : Bill Goodykoontz / Alias : Arizona Republic
Hahahaha. Really, that's about all there is to say about "San Andreas" .

Name : Moira MacDonald / Alias : Seattle Times
The movie nicely delivers the computer-generated goods - the destruction of the Golden Gate Bridge is pretty spectacular - and if Johnson doesn't quite make it sing, at least it growls suspensefully.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
When the earth is roiling and rippling like an angry ocean, it's an impressive sight. It's when the shaking stops though that San Andreas is a different type of disaster.

Name : Rene Rodriguez / Alias : Miami Herald
In San Andreas, The Big One finally hits California, and not even Dwayne Johnson's mutant biceps can keep those infamous tectonic plates from separating.

Name : Alonso Duralde / Alias : TheWrap
Thankfully, the action set pieces are exciting enough, and come at such a successive clip - "Oh, s-t" may be the film's most repeated line of dialogue - that it's only afterward that you have the chance to pause and ask questions about the plot.

Name : Joe Morgenstern / Alias : Wall Street Journal
"San Andreas" changes all too quickly from satisfyingly foolish to dismayingly dumb to genuinely stupid.

Name : Andrew Barker / Alias : Variety
California crumbles spectacularly in an action movie that quickly degenerates from blissfully stupid to fatally stupid.

Name : Christy Lemire / Alias : ChristyLemire.com
It's like Planes, Trains & Automobiles, only with a catastrophic body count.

Name : David Ehrlich / Alias : Time Out
Campy but never campy enough and far too numbingly artificial to ever drum up any real suspense or sense of awe, the film has a scale that's squandered on visual witlessness.

Name : Tom Russo / Alias : Boston Globe
For all the unabashed cliches and straight-faced silliness delivered by Johnson, Paul Giamatti, and their generally capable castmates, they're doing something right.

Name : Randy Myers / Alias : San Jose Mercury News
As for the story line, there are faults and cracks aplenty. But "San Andreas" does know where its epicenter must be: overdone, loud, anything-but-realistic and enthusiastic destruction sequences.

Name : Peter Rainer / Alias : Christian Science Monitor
The CGI effects in this film, directed by Brad Peyton, are quite remarkable and help take one's mind off the cornball disaster-brings-families-together underpinnings.

Name : Michael Phillips / Alias : Chicago Tribune
I enjoyed large chunks of San Andreas, largely because the actors give it a full load of sincerity, and there's some bizarrely effective comic relief thanks to Hugo Johnstone-Burt and Art Parkinson as Brits who picked the wrong week to visit the Bay Area.

Name : Joe Neumaier / Alias : New York Daily News
"San Andreas" is a disaster - literally.

Name : Julia Cooper / Alias : Globe and Mail
San Andreas lacks backbone. Between its steroidic CGI and emotionally vacant plot line, the movie is all flex, no muscle.

Name : Rafer Guzman / Alias : Newsday
Top-notch effects and a bottom-scraping script make this disaster flick a spectacular bore.

Name : Michael O'Sullivan / Alias : Washington Post
The dialogue is inappropriately jocular throughout, which undercuts the genuine terror it attempts to muster.

Name : Peter Howell / Alias : Toronto Star
When you think about it, is there anybody else you'd want looking out for you in times of trouble than Johnson?

Name : Wesley Morris / Alias : Grantland
The earth of San Andreas cleaves itself open to us like the devil's sunroof. Who are we not to leap into the void?

Name : Andrew O'Hehir / Alias : Salon.com
Considered as pure spectacle, "San Andreas" is gripping and effective, as well as a somewhat interesting form of counter-narrative: A vision of near-term apocalypse that has nothing to do with climate change, monsters or alien invaders.

Name : Ignatiy Vishnevetsky / Alias : AV Club
It's hard to appreciate San Andreas as much more than a series of special effects vistas: impeccably detailed, completely plastic.

Name : Steven Rea / Alias : Philadelphia Inquirer
Quite literally the blockbuster of the year.

Name : Peter Travers / Alias : Rolling Stone
Hell, I'm as up as the next guy for a dumb summer epic with special effects that fire up audiences. But did San Andreas have to be such a monument to stupidity?

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