Name : Ignatiy Vishnevetsky / Alias : AV Club
With Bujalski, this is business as usual, but by the standards of the contemporary indie rom-com, it's refreshingly unpredictable and thoughtful.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
The rom-com isn't such a lost cause, after all. It was just waiting for someone like indie filmmaker Andrew Bujalski to resuscitate it.

Name : John DeFore / Alias : Hollywood Reporter
A perfectly chosen cast sells this unhurried comedy, which flows unconventionally but is still, by a long stretch, the most mainstream-friendly picture Bujalski has made.

Name : Linda Barnard / Alias : Toronto Star
Bujalski crafts a quirky romance with fitness-industry comedy Results, shaping flawed characters into people you might just admire.

Name : A.O. Scott / Alias : New York Times
Only toward the end do you realize that the characters have been arranged into a pleasing and familiar romantic-comedy triangle and that you've been watching a beautifully played game of underhand slow-pitch screwball.

Name : Moira MacDonald / Alias : Seattle Times
Not a whole lot happens, but you get to know an interesting trio, and leave them feeling satisfied that it was time well spent.

Name : Rex Reed / Alias : New York Observer
A week in the outback without a cellphone would be better than Results.

Name : Ella Taylor / Alias : NPR
You'd expect Bujalski, who made Beeswax and Computer Chess and a couple of other extreme indies, to poke fun at gym culture, the ultimate soft target. And he does, but sweetly and without disparagement .

Name : Inkoo Kang / Alias : TheWrap
This droll, intelligent farce is most poignant as a portrait of modern alienation that explores how money, service work and self-improvement leave individuals stranded and alone.

Name : Richard Brody / Alias : New Yorker
One of the strangest and strongest of recent romantic triangles forms in the course of this lyrical, fanatically realistic comedy, written and directed by Andrew Bujalski.

Name : Stephanie Merry / Alias : Washington Post
"Results" is a smooth transition for Bujalski from the fringes to more commercial work. It's heartening that he didn't give up his calling-card observational humor to do it.

Name : Abby Garnett / Alias : Village Voice
Bujalski knows how to reveal the immaturities and hangups people hide behind money, ambition, and the pursuit of a better body.

Name : Joe Neumaier / Alias : New York Daily News
Writer-director Andrew Bujalski appreciates a grimy basement as much as he does a wide-open highway, and he aims for a slice-of-life tapestry. But he should have simply let Corrigan slouch into nirvana.

Name : Ty Burr / Alias : Boston Globe
What happens when a rigorously non-mainstream filmmaker tries to reverse-engineer a mainstream romantic comedy? The result, in all its charming perversity, is "Results."

Name : J. R. Jones / Alias : Chicago Reader
Sharply funny slacker comedy.

Name : Mick LaSalle / Alias : San Francisco Chronicle
There's an absurdist edge, but with nothing of the smart aleck about it. Rather than use wit as a way of bypassing thought and emotion, Bujalski's concerns are serious and his attitude toward his characters is warm without being indulgent.

Name : Cath Clarke / Alias : Time Out
Like Bujalski's early mumblecore work, this is sensitive and meandering - and just a little bit patience-testing.

Name : Wesley Morris / Alias : Grantland
A movie like this feels like a dream challenge for an actor. It lives and dies not sheerly by the writing and the direction of the script, but by the cast's organic adherence to both.

Name : Andrew O'Hehir / Alias : Salon.com
Somebody needs to give Andrew Bujalski a TV series. If "Results," his unlikely but delightful new film set in and around an Austin fitness studio run by hard-bodied Guy Pearce, were a TV pilot, I would be hooked on the show already.

Name : Kenneth Turan / Alias : Los Angeles Times
A shocking and significant film, a further illumination of one of recent history's great horrors, a documentary that will make a difference in the world. It is also an exceptionally difficult film to actually watch.

Name : Chris Nashawaty / Alias : Entertainment Weekly
The Look of Silence in some ways manages to burrow deeper into your soul.and your nightmares.

Name : A.A. Dowd / Alias : AV Club
The Look Of Silence is a powerful gesture of political rebellion, one whose boldest action isn't damning mass murderers to their faces, but being willing to believe that their stranglehold on country and history could be broken.

Name : Mark Jenkins / Alias : NPR
The Look of Silence . uses members of a single family to represent the millions of victims and survivors.

Name : Joshua Rothkopf / Alias : Time Out
A superior work of confrontational boldness, it might be the movie Oppenheimer wanted to make in the first place.

Name : Stephanie Merry / Alias : Washington Post
A . profoundly shattering movie.

Name : Farran Smith Nehme / Alias : New York Post
As the title indicates, this follow-up is dealing with a somewhat blunter set of symbols than its predecessor. It's just as wrenching, though .

Name : Peter Rainer / Alias : Christian Science Monitor
My relief in watching this movie, which once again recounts the slaughters in great, almost fetishistic detail, is that at least the victims are allowed a voice this time.

Name : Joe Morgenstern / Alias : Wall Street Journal
In a way, I wish I'd never seen "The Look of Silence," because now I won't be able to forget it. But that's the point .

Name : Erik McClanahan / Alias : Minneapolis Star Tribune
While not as mind-blowing or surprising as "Killing," "The Look of Silence" is perhaps the more necessary film.

Name : Nick Schager / Alias : Village Voice
Oppenheimer throws into sharp relief the contrast between Adi and the murderers' perspectives, and thus the terrifying tension that engulfs the country as a whole.

Name : Ty Burr / Alias : Boston Globe
There's a rage far beneath Adi's placid expression and the director's dispassionate style. It's not a rage for vengeance but anger at an all-consuming blindness.

Name : Alonso Duralde / Alias : TheWrap
Feels more like an extended DVD extra to Oppenheimer's genre-defying previous film than a stand-alone documentary.

Name : Walter V. Addiego / Alias : San Francisco Chronicle
It's a testimony to how much this is a live issue in Indonesia that some of the credits are listed simply as "anonymous."

Name : A.O. Scott / Alias : New York Times
Mr. Rukun is a quiet man, contemplating his family's tragedy more in sorrow than in anger. But this atmosphere has the effect of making the violence at the film's heart all the more shocking.

Name : Peter Howell / Alias : Toronto Star
The film is all the more potent for its restraint, as constant on the mind as the cicadas that sound throughout the unyielding night.

Name : Liam Lacey / Alias : Globe and Mail
The stories the perpetrators tell are hideous, but Adi proves to be a calm and unrelenting interrogator, even in the face of direct death threats.

Name : Anthony Lane / Alias : New Yorker
"The Look of Silence" is a simpler work than "The Act of Killing," and a better one.

Name : Stephanie Zacharek / Alias : Village Voice
If it's a far less flashy film than The Act of Killing, it's also a better and possibly more honest one.

Name : Wesley Morris / Alias : Grantland
What a combination of misery and uplift this movie is.

Name : Dana Stevens / Alias : Slate
[It] isn't quite documentary filmmaking, but it certainly (and sickeningly) isn't fiction either.