About The Gambler

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Comment For The Gambler Volledige Film In Dutch Ondertitels

Name : Peter Keough / Alias : Boston Globe
It's just like the Kenny Rogers song says: "You've got to know when to hold 'em, know when to fold 'em." It's time for this "Gambler" to walk away.

Name : Elizabeth Weitzman / Alias : New York Daily News
Whether Wahlberg's been miscast or misdirected, we never buy him as a desperate addict. Still, the movie is so quick and cool that for much of the time, we barely notice how little is actually at stake.

Name : Calvin Wilson / Alias : St. Louis Post-Dispatch
In a role that would have been ideal for Tom Cruise in psycho mode, Wahlberg is merely OK. Unfortunately, the film's effectiveness turns on whether we buy into his angst.

Name : Rafer Guzman / Alias : Newsday
Low on action and tension, long on grand speeches. Wahlberg gets an A for effort in an unlikely role.

Name : Peter Howell / Alias : Toronto Star
This certainly is one driven narrative. Wahlberg reportedly lost 60 lbs. for the role, and his gaunt look makes Jim seem all the more haunted as he repeatedly throws away vast sums on games of chance.

Name : Manohla Dargis / Alias : New York Times
What's mostly missing from "The Gambler" is a sense of why Jim is so insistent on squandering his money, privilege and patrimony.

Name : Kyle Smith / Alias : New York Post
This remake of the 1974 James Caan film written by James Toback . crackles with mordant cynicism.

Name : A.A. Dowd / Alias : AV Club
Blackjack is more of a noose than a needle for this self-destructive blowhard, and if that sounds less dramatic than the tale of a man who just can't walk away from the table, it is significantly funnier.

Name : Justin Chang / Alias : Variety
There's enough swaggering cynicism for three pictures but barely enough soul to sustain even one in Rupert Wyatt's "The Gambler," a stylish, energetic but disappointingly glib remake of Karel Reisz's still-potent 1974 drama of the same title.

Name : Chris Nashawaty / Alias : Entertainment Weekly
The one bit of good news is that the first Gambler is currently streaming on Netflix. Do yourself a favor and watch that one instead.

Name : Stephanie Zacharek / Alias : Village Voice
Wyatt . brings some bristly, swaggering energy to the thing, and that in turn may have loosened Wahlberg up: He's both more intense and freer than he's been in years.

Name : Andrew O'Hehir / Alias : Salon.com
An agreeable if ridiculous slice of old-school Hollywood machismo .

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Despite terrific, witty performances by Williams and Goodman, most of the talent is wasted in this picture.

Name : Mark Olsen / Alias : Los Angeles Times
By suppressing Wahlberg's more typical sparkling unpredictability, this new reading of the character recasts him into someone more frustrating than free.

Name : Liam Lacey / Alias : Globe and Mail
Slick but slight, The Gambler is an unnecessary remake of a well-regarded 1974 film.

Name : Peter Travers / Alias : Rolling Stone
The hopeful ending comes off as too little, too late. Wahlberg gives the role his all, but sticking with him is a futile gesture. The Gambler never pays off. It's a sucker's bet.z

Name : James Berardinelli / Alias : ReelViews
The Gambler is a solid remake - a film that retraces the path of the original while carving out its own identity.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
As The Gambler becomes less about its protagonist's dashed intellectualism and more about the gathering danger of his predicament, the film gains power.

Name : Jocelyn Noveck / Alias : Associated Press
We didn't really care enough about Jim to be invested in his ultimate fate.

Name : Rene Rodriguez / Alias : Miami Herald
The Gambler is about the torturous dissatisfaction some people feel when they've managed to do everything right but still don't feel fulfilled

Name : Kristin Tillotson / Alias : Minneapolis Star Tribune
A string of powerful performances, particularly Wahlberg's, and a killer soundtrack - including M83, Dinah Washington and St. Paul & the Broken Bones - redeem a middling entertainment gambit.

Name : Stephen Whitty / Alias : Newark Star-Ledger
If someone is really that intent on self-destruction, why should we be his audience?

Name : Stephanie Merry / Alias : Washington Post
Watching a hostile pessimist purposefully sabotaging his own good fortune just isn't as fun as it sounds.

Name : Todd McCarthy / Alias : Hollywood Reporter
In nearly every scene, Wahlberg carries off the central role with what could be called determined elan.

Name : Moira MacDonald / Alias : Seattle Times
A dull, self-consciously arty wallow in the messed-up life of a character we don't care about.

Name : Claudia Puig / Alias : USA Today
The Gambler is a hollow, overwrought and glibly cynical remake of a '70s drama about a self-destructive academic.

Name : Rex Reed / Alias : New York Observer
Another wet battery about a week in the life of a gambling addict.

Name : Barbara VanDenburgh / Alias : Arizona Republic
The return is as miniscule as the stakes.

Name : Alonso Duralde / Alias : TheWrap
It's no mystery why actors and directors want to relive the magic of American studio movies from the fabled 1970s, but if you're not going to take the risks that the originals did, or illuminate as much about the characters, why redo them at all?

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About Le Voyage De Fanny

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4. Click register

5. Congratulations, you've got access to watch and download all the movies available on the server (including Le Voyage De Fanny movie).

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About Danny Collins

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4. Click register

5. Congratulations, you've got access to watch and download all the movies available on the server (including Danny Collins movie).

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Screen Of Danny Collins

Comment For Danny Collins Peliculas En Linea

Name : Rex Reed / Alias : New York Observer
Danny Collins is nothing to write home about, but it kept me entertained without too much guilt, and I didn't wince.

Name : Michael Phillips / Alias : Chicago Tribune
There's a delayed-secret hitch in the narrative that hijacks the movie, for better or worse. You don't have to believe any of it to enjoy a lot of it, however.

Name : Scott Foundas / Alias : Variety
A familiar late-in-life redemption narrative, made surprisingly palatable by Pacino's winning comic bravado, a superb supporting cast, and currents of real feeling that cut through the expected bromides about the emptiness of fortune and fame.

Name : J. R. Jones / Alias : Chicago Reader
I can imagine a lot of good movies developing from this premise, but as fictionalized by screenwriter Dan Fogelman, it becomes yet another soggy tale of father-son healing.

Name : Alonso Duralde / Alias : TheWrap
Writer-director Dan Fogelman seems as torn as Danny is between his artistic impulses and his hard-wired attraction to bland, audience-friendly material.

Name : Stephanie Merry / Alias : Washington Post
"Danny Collins," like its central character, has a good heart, and sometimes that's enough.

Name : Lisa Kennedy / Alias : Denver Post
What Fogelman doesn't quite achieve as screenwriter at the start of the film he makes up for in his directorial debut. He supports wonderfully the affable allure of his attuned cast.

Name : Ignatiy Vishnevetsky / Alias : AV Club
The directorial debut of Dan Fogelman, writer of Crazy, Stupid, Love and Last Vegas, the movie combines the compulsive sub-plotting of the former with the retirement-age asides of the latter.

Name : Tom Long / Alias : Detroit News
Danny Collins is the cinematic equivalent of a well-sung easy rock tune, enjoyably light and bouncy, with some darker notes hidden within the chords.

Name : Liam Lacey / Alias : Globe and Mail
One of the things that partly excuses the movie's mush is that it's a kind of musical.

Name : Claudia Puig / Alias : USA Today
Though occasionally contrived, in its more low-key, honest moments, Danny Collins rings out with emotional resonance.

Name : Peter Rainer / Alias : Christian Science Monitor
The movie becomes, perhaps inadvertently, a celebration of selling out.

Name : Joe Neumaier / Alias : New York Daily News
This uneven but ultimately sweet comedy-drama takes full advantage of Pacino's larger-than-life persona (think "Glengarry Glen Ross," "Donnie Brasco," "The Insider") and his ability to add in lovely grace notes.

Name : Stephen Holden / Alias : New York Times
[A] shameless piece of boomer bait, which peddles the highly questionable notion that it's never too late to get back to where you once belonged.

Name : Joshua Rothkopf / Alias : Time Out
You think you know where this is going, but it's a pleasure to see Dan Fogelman slow down the flow for his two erstwhile Ricky Romas, kicking around life's harsh turns with tenderness.

Name : Ty Burr / Alias : Boston Globe
So shameless is this movie's urge to batter you into laughter and tears that you give in, exhausted and maybe even a little grateful.

Name : Peter Travers / Alias : Rolling Stone
Danny Collins has no intention of breaking new ground. But Pacino and a top cast make it mean something.

Name : Ella Taylor / Alias : NPR
Al Pacino as a jaded, aging rocker re-juiced by a road trip to settle accounts with himself and his long-lost family? By all means roll your eyes - the star has one brow goofily raised himself - but don't give up on Danny Collins.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
The lesson of this likable little movie is that it's never too late to reclaim your integrity.

Name : Richard Roeper / Alias : Chicago Sun-Times
Legendary as Al Pacino's skills are, he wouldn't be the first actor I'd cast to play a 70ish pop star who still fills mid-sized arenas some 40 years after he last charted a hit single. Yet Al Pacino sells the heck out of his performance as Danny Collins.

Name : Joe Morgenstern / Alias : Wall Street Journal
Before the action comes a cheerfully coy announcement: "The following is based on a kind of true story a little bit." In fact, the story is not only true, but proves to be a kind of swell idea for a fiction film.

Name : Lindsey Bahr / Alias : Associated Press
A redemption story doesn't always need to show the blood. Danny Collins gets the point across without pretention. Its closing scene, alone, is worth the price of admission.

Name : Wesley Morris / Alias : Grantland
There's a kind of modest American comedy that's so keenly done that you don't bother resisting. All the details feel exactly right for that particular story and those characters. It just works. Right away, you can tell that Danny Collins is working.

Name : Bill Goodykoontz / Alias : Arizona Republic
You can guess where things are leading, but only to a point. Fogelman tosses in some mild surprises along the way, some more effective than others.

Name : John Anderson / Alias : Newsday
Pacino's exuberance rescues Dan Fogelman's directing debut from the schematic snares in Fogelman's script.

Name : Moira MacDonald / Alias : Seattle Times
Like its hero, the movie is flawed, but hard to resist.

Name : Linda Barnard / Alias : Toronto Star
It's never dull to watch pros like Pacino, Bening, Plummer, Garner and Cannavale interact - this is dream casting - and the film makes the most of that, along with a pleasingly comprehensive Lennon soundtrack.

Name : Steven Rea / Alias : Philadelphia Inquirer
Comedy, pathos, and some schmaltzy couplets about the changing seasons follow forthwith.

Name : Joe McGovern / Alias : Entertainment Weekly
A cast of old pros (Christopher Plummer, Annette Bening, Bobby Cannavale, Jennifer Garner) and a touching final scene elevate the material just enough to redeem it.

Name : Lou Lumenick / Alias : New York Post
"Danny Collins'' is certainly watchable, but don't go expecting much in the way of surprises.

Name : Mick LaSalle / Alias : San Francisco Chronicle
There's a nice fluidity and freedom to writer-director Dan Fogelman's storytelling, so things never become predictable.

Name : Colin Covert / Alias : Minneapolis Star Tribune
How bad could a movie be that features talent as serious as Al Pacino, Annette Bening, Christopher Plummer, Bobby Cannavale and Jennifer Garner? This bad, alas.

Name : Todd McCarthy / Alias : Hollywood Reporter
The top-notch cast makes this Bleecker Street release almost tolerable, but the spectacle of a dissolute hedonist suddenly acquiring a heart and a conscience late in life is shamelessly, and shamefully, contrived in its emotional trajectory.

Name : Amy Nicholson / Alias : L.A. Weekly
A redemption movie in the skeptical key of Jerry Maguire with dozens of small, perfect moments

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